The Wandering Floret Part 8 by Super Famicom

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So yeah. I had my friend John Carling do the artwork for the Octology, and it was the only time I willingly let anyone do album art for me. After all, I was too busy writing and recording the eight albums. Despite all of my intentions, I wasn't very good at organizing my time and sticking to a schedule. But I had to focus on getting a job first. I couldn't owe my roommates money forever without prioritizing the search for work. Even then it was very easy for pretty much anyone to disrupt my recording and waste the rest of my day. Some might argue that it's not a waste to relax with your friends, but relaxing isn't that easy when you are neglecting the promises you've made to yourself. And part of why I chose to put so much of myself into my work was to prove that I had better things to do than entertain people by watching tv with them. Not all of us just want somebody to sit with us while we wait to die?

About the tracks: for part 8, I wanted to use my darker, more goth songs. It was my intention to go more goth with super famicom, and wear turtle necks, and use drum machines. Maybe I would get a little band of little keyboard players. There would be no future blues dads to decide what tones and beats my songs needed, because I couldn't be trusted to decide that, because I didn't Really know how to write music. There would not be a band to douchify Super Famicom, and slow my progress.

My dad drove me to staples to copy the covers for the Octology. When he came in, I was copying part 8, and I immediately flipped over the cover so he wouldn't see the tits on my album cover. It was an instinctual reaction, and somewhat regrettable. As a kid, I would have gotten in trouble for something like that. In fact, my parents would have taken my guitar and my computer, and anything I might have used to make cds. I never wanted to hide my work from my parents, but they've never acknowledged my achievements in music. It's as if, to them, I've never done anything but fail to finish college.

The Wandering Floret Part 7 by Super Famicom

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Of the Wandering Floret Albums, I put the least amount of thought into the theme of this one, having some of the Octology's shortest and weirdest songs. However, I don't think the likeability of my work is dependant on the amount of attention I put into it. In fact, I'm well aware of the patterns and formulas that can make a nerds-only piece of a crap into something as enjoyable as it is forgettable.

The Wandering Floret Part 6 by Super Famicom

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Most the songs for this album were recorded on my Nickelodeon boom box in the bathroom at 165 M. L. King Avenue in Saint Augustine. Our house never got an official name, which was probably for the best. I would have ended up hating it and feeling misrepresented by it, or something like that. Regarding the album, the songs are all romantic. You might like them.

The Wandering Floret Part 5 by Super Famicom

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I thought this number of the Octology had a lot of hits on it, and a lot of acoustic guitar, embodying the formula I was trying for with Super Famicom. I would start with a finger-picked guitar riff, and use half that riff for the chorus and the other half for the verse. Then I'd add two verses, using the last two lines at the chorus, and then add layers to make each verse different. If simple yet weird hits are your thang, this is the album for you.

The Wandering Floret Part 4 by Super Famicom

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Of the Octology, this is the only album that made anyone go out of their to tell me how they don't like it. It's my first Super Famicom album of all heavy songs. It's kind of sloppy, but I always attributed that to the sludge factor. Despite the sludge, all the tracks are fairly poppy and catchy, which to me, make it all the more unique, and therefore, more special.

The Wandering Floret Part 3 by Super Famicom

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This album was shorter than I meant for it to be, considering how fun it was to make. It's a collection of pop rock songs with acoustic guitar, drums, and bass. My first time playing drums on an album, and I wanted to stick with this theme, and stick to the eight song format. Someday I'll compensate for the shortness of this "full-length" by releasing one that's much longer than your wildest dreams.

The Wandering Floret Part 2 by Super Famicom

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For the Wandering Floret Octology, I'd planned for a different labels to put out each one. Most of these labels were brand new, or only had a couple releases. My records weren't finished until a month before August eight, and it seemed like I should go ahead and copy most of these cds myself instead of expecting anyone to rush a release of my cd-r. Most of the tracks for this part were used my Peavey T-15 guitar plugged directly into my four track. For one of the tracks, I used a cup and a cooler of water for the percussion. It's been brought to my attention that I should do more of that for my future releases. As you may have noticed, the Wandering Floret Octology is the only release which I elected to have someone else to do the art for. It was all done by my friend Jon Carling, who I met one time. He hosted a Saturday Morning Cartoon Show in the bay area, and had me as a musical guest. I thought that was pretty cool, and I also liked his work.

You can check out more of it at his website: http://www.joncarling.com

The Wandering Floret Part 1 by Super Famicom

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When planning the Wandering Floret Octology, to be released on August Eighth, Two Thousand Eight (on 888), I had a story concept in mind for the lyrics. It was a story about a young woman who had committed herself for life, to tend to a certain magical garden. Unable to leave this garden, her use to the outside world was gone. She was dead to the world. Useless, and reflecting on this sad truth. However, there were plants in this garden that, within them existed a mass of entirely new worlds. Part 1 was the last set of songs with which I used my half sized acoustic guitar. It needed to be tuned so high to be intonated, and the neck was badly bowing. I used a lot of weird sounding percussion on these tracks, and I think it sounds cool, sloppy but cool. Lost Sound Tapes made a tape of this, but I think for the release show, I made cd-rs. For the PJ Records page, I thought I'd check to see if Lost Sound Tapes had any copies available, but it seems they've erased any evidence of me having ever had a release with them. As if my day in the sun decided to have never been. So it goes.

China Buffet Dollar Tree by Super Famicom

Stream it - YouTube Download it - Nextcloud Here is yet another album from Super Famicom, my solo project since the year 2002. As ...