Priority Male by Dildozer

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In 2014, Dildozer made a full-length with some new songs and some old songs, and a new bass player/backup vocalist. Our album cover wasn't loved by all, and that's okay. I always thought punk music was supposed to annoy everyone who doesn't 'get it'. We were before the phase when punk bands were instead trying to write songs in display of their niceness and general caring about pretty much anything. Who has time for that? I suspect Dildozer might have been kicked out of Punk if we'd stuck around. But what do you call this music if it's not punk? It's opinionated. It's catchy. It's mean. It was recorded in the non-climate controlled storage unit where we practiced all year round, in hot hot saint augustine. Dawson played my squier J-Bass, which wasn't set-up for standard tuning, so I autotuned it. On Youtube, you'll hear my newer mix of these tracks, but on the tape and on bandcamp you'll hear the nasty nasty original mix. These tapes were professionally duplicated, imprinted, j-carded, and cased. I would highly recommend buying a box to fill your closet instead of mine.

Dave Ep by Meredosia

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This is an exciting release for me, for sure. It's my first successful remote collaboration, with my friend Dave Lowther. We'd had played many shows together with his old bands Burl and Telepathic Lines. During the pandemic lockdown he decided to record some songs of just drums and send them to a few of his songwriter friends. Immediately, I wrote and recorded guitars for all three tracks but never got them 'finished'. This was before I'd started the fake band of Menards. And this is my year for finishing things and shedding the weight of unfinished songs to regain some of my creative freedom. So I finished the tracks and I'm thrilled to share them with you. Is it still True Midwestern Emo, worthy of the Menards name? You tell me.

Twin Boyfriend split with Couch Serf

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In 2014 I devised a separate solo project of Darkwave music, called Prime Breeding Material. The name doesn't ring off the tongue, but I digress. The idea was to play cello and sing along to sequenced electronic music in a non-interactive performance, playing songs that people might want to dance to in an especially goth fashion. I played one show in which I used a keyboard instead of cello, which was to come later. And as it turns out, I couldn't figure out the posture to play cello and sing at the same time, finding notes with the two instruments at the same time. So I sat on the songs and used a couple of them for the PJ Baby tour cd. As I'm trying to get most of my unreleased music out, I decided to use this set of songs for a split.

Couch Serf is a project of my friend J.B. from the Kansas City area, an outlier among my old friends who has continued to stretch his creativity and release new music. So I'm happy to have finally gotten a split together with him, and his quirky, new-wavey songs. Instead of playing cello or live keyboard on my songs, I decided to go with electric guitar so I could perhaps do a couple sexy solos. For this fake band, I chose the name Twin Boyfriend. Inspired my by romantic partner's twin sister, who is goth, I imagined what my own goth twin would be like and whether or not this is the music he'd make. I imagine the guitars and vocals would be more washed out, with less overall melody. Maybe I'll do that next time.

Deepest Cuts by Super Famicom

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Among hours of unreleased songs, I'd been sitting on these a few years before getting them properly recorded and released. I didn't see the point in releasing music if, for each release, less people were going to listen to it. Still I found myself recording and releasing songs with other people, and it didn't make sense for me to focus on that instead of sharing work that's all my own. And I don't have a label guy trying to make his money back on this release. And I don't have bandmates floating around town, boasting about what to them might be a rare accomplishment. For me it's another album, another step ahead, easier to make than it is to share. And it hurts that for all my dedication, my music career hasn't gotten much further from where it started. But what am I supposed to do? I'm great getting songs written and recorded, and I would consider it a disservice to my art to focus instead on marketing, daring only to release what might improve mass appeal. Even I'm guilty of hiding in my ego, but I'll try to cut it away for any who might be inspired. It's not my job to please or impress anyone.

So this album is called Deepest Cuts. Most of the instrumentation was recorded in 2019. The vocals were redone several times, but finalized in the fall of 2021. As you might know, I have a lot of frustration with my singing abilities, as if I have no right to sing if I can't hit perfect notes. So I tried harder than ever to make it listenable for you. There are two made-up genres of music on this album. One is NWOFNW, which is the New Wave of Florida New Wave, but there was never a first wave of Florida New Wave. The other made up genre is Fantasy Folk Wave, which is kind of like 70s progressive folk rock, but more new age and pop-oriented. Fitting the two sounds together, I think this album has a truly unique feel. And with whatever attention you give these tracks, I promise I've tried to take every opportunity to express myself and make the most of your time. And It won't be so long until my next Super Famicom album. I still have a lot of unreleased stuff. Thanks.

Laodicea Volume 1

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Laodicea is an epic dark metal band I play guitar and sing in. In 2018, I'd been contemplating doing another band that had be playing guitar and doing vocals. However, I wanted to write all of the music. I never wrote riffs without a clear idea for what I needed from the drums and the bass, to achieve what I needed to make the riff effective. It seemed like every month, there was a new hardcore band in town with a ten minute set. They'd play a few shows, and if they weren't an instant hit, the members would form a different group with another ten minute set. Instead of that, I wanted to do a set with two songs that were both twelve minutes long. With these things in mind, my friends Zach and Garrett got on board to play this music with me. Before our first set, I recorded myself playing our two songs as a way to solidify how they went and how they were intended to sound. After a time, the recording started to feel old to me, and it seemed like a shame to not let people hear it. So this is it. Two songs that are twelve minutes long, of epic dark metal.

Garrett Oliver split with The Stone Wings

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I had a lot of fun doing the fake band of Menards, while sitting on a stack of fake band ideas. One of those fake bands turned out to be The Stone Wings, playing romantic songs with acoustic guitar, the way I used to with Super Famicom, back when I had a lot of fans. A lot of those old fans are parents now, so I thought I'd make some music for them, and perhaps see if they'd be into it. I've always been a fan of Garrett's music, having engineered his two solo albums from 2009 and 2011. That was a long time ago, and I was really excited to hear he was working on some new stuff, but a new album was a lot to tackle. So it made perfect sense for us to do this split. I hope you love it!

Menards split with Noah Eagle

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Sometimes I wonder about having a solo project that uses a wide variety of styles. Like, most popular bands only make one specific style of song, and once they have a hit, their sound becomes more specifically focused on the sound of their hit. And before long, all of their songs sound almost exactly the same. With Super Famicom I never did that, which was probably not a very smart career move. In 2020, Noah Eagle asked me to do a split with him, and I said yes. It was always in my plans to start a punk band that played punk for grown-ups. It was going to be called Menards. Instead of playing grown-up punk, Menards ended up playing true midwestern emo. I made up fictional people who are supposedly in the band, playing 2nd guitar, drums, and bass. It makes me seem cooler, having access to a set of musicians with my exact skill level, playing exactly how I would like them to.

Balrogs by Super Famicom

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In 2018, I had been sitting on a lot of songs for a long time, and I wanted to record them really well. A very daunting prospect, considering the lack of external encouragement I felt I'd been receiving to record new music. So instead of recording old, smart songs, I decided to write a bunch of new stuff without putting much thought into it. Often a piece of work isn't improved by puttig extra time and thought into it. Balrogs turned out to be, possibly, by my best-sounding Super Famicom album thusfar, and the playing on it's fairly tight, considering how it was very much thrown together. It was finished in 2019, but I had some complications with getting it released on tape. I didn't want to release it myself, because I wanted to have some form of extra help in promoting my release, and getting it heard. Also, I was hoping to collect a little more external encouragement for recording my next album. That didn't work out, so I released the tape myself.

Heart in Squalor by Glatisant

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I recorded this in 2018 at my house in Bloomington. It's my 2nd solo black metal album. On Metal Archives they call it an ep, but this tape is nearly 40 minutes long. I packaged the tapes in kraft paper boxes, but I might switch them over to plastic. Diamond Famicom isn't a very metal name, so I ditched it in favor of Glatisant. It must be a lucky name, because the European label, Depressive Illusions Records, put out their own version of this tape.

PJ Baby's Tour CD

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A lot of songwriters start with a solo project, and then they get a band, a band of people who are all better musicians than the songwriter of what had been a solo project. When the band breaks up, so does the solo project. I never wanted that to happen with Super Famicom, even though I had a lot of recorded songs, with carefully written parts for many instruments. So I tried to start a band named after me. We were a three piece, and I got the guys to sort of play my parts. We needed a 2nd guitarist, but I was having a hard enough time getting my two most t rusted friends to try and play the music how I wrote it. The tour cd had some the songs we played live. Other tracks were for a very long album I was recording, but never released. There was nothing I loved more than writing and recording music. It was the proof that I wasn't a slacker, and that I had in fact worked just as hard on my music as anyone could work on anything. But I don't have the power of fame or fortune to get qualified people to play my music. So the band didn't work out. After all, I didn't want to let anyone else play on my albums. Such a thing would detrimentally slow my roll.

Getting Colder by Thunderhoof

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This is the 2nd album I made with Thunderhoof, and I think turned out better than the first one. Once again, it was recorded in my storage unit, and has that 'recorded in a storage unit' sound. The songs on this one are even darker and more aggressive than on By the Flames. For this tape, we sprung for the professionally printed j-cards with the jewel cases. The coloring on my old computer monitor was pretty bad, and you can tell because of the color difference between the paper and the background on the album cover. So it may not look as pro as you might expect from a band like Thunderhoof, but that's okay. Often the pros are boring. The drawing on the cover was done by Brittany Drennan, and I think it looks awesome. Definitely worth purchasing!

As A Human by Super Famicom

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With at least as much effort as my last album, I recorded another tape in 2014. For that year, I had moved into a little house on Lovett street where I had the smallest room, so made sense for me to spend as much time as possible in the storage unit. With As a Human, I tried to write the darkest, smartest songs of my career. I even used a thesaurus for the lyrics, which might have been a bad idea. My vocal parts were extremely hard to sing, so I used a program called Melodyne to correct my notes, like on a pop album. I don't think it made my vocals sound better, by any means. So I made them somewhat quiet and highly compressed, to carry a melody like an instrument instead of a focal point. I think As a Human has some of my sickest jams. My friend Jake Brown played drums in the next storage unit over, and put out this tape on his label, Computer Club Records.

In Spades by Super Famicom

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Following the nature of Purpose Defeated, I made another album of music that I thought needed to exist, for my own enjoyment. It's dark, passionate, and called In Spades because it has Super Famicom (as an adjective) in Spades. The lyrics are vaguely about anarchy and living the life of an artist with intention. I tried my best to be poetic. Chorus effects are used. You might refer to this style of music as Dark Punk, considering how Dark Wave relates to New Wave. These songs were recorded in the late winter and early spring of 2014, in my storage unit.

By the Flames by Thunderhoof

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In 2012, I was living in Saint Augustine, and despite all of my plans, seemed to be without a band. That is, I was without a band that I could count on to play shows and practice regularly. Thunderhoof was a two piece, drum and bass metal group, and they were my friends. I asked if they'd let me play guitar with them, and they were down. Some of the songs on this tape are older jams of theirs, and others were co-written with me. There are thrashy parts and doomy parts, all recorded in the storage unit I shared with Westley Durden. These tapes were duplicated in my room, and I lazer printed the sleeves. Honestly, I think the tapes are probably too punk for Thunderhoof's fanbase. We didn't sell a lot of them.

Purpose Defeated by Super Famicom

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In response to my attitudues on Endless Fervor, I tried to 'live the life'. Work hard, play hard, and do what your friends are doing, and it made me really depressed again. So I poured all of my time into making Stone Wings, and the soundtrack. Also during that time, I wrote this album, Purpose Defeated. It was goth and emo in, to me, all the right, unexpected ways. I made the kind of album I would want to hear, because I finally had the equipment and the space to do it. I never set out to write music that was folk punk, except for The Bottom's "Folk Punk Bash". Still, I played acoustic guitar and some of my songs were punk, especially in attitude. I hoped with this album, nobody would again call Super Famicom folk punk.

The Titular Tape by Dildozer

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In 2013 I was still setting up punk shows, and needed a punk band to play those shows. So I started Dildozer with Westley and Treymon. The idea was to, while acknowledging the rules of political correctness, proceed to make the meanest, nastiest, snottiest pop punk music. I wanted to make music like Carcass, but pop punk. The thing about political correctness is that, the rules of being correct are always changing. So I doubt all of these songs are very p.c. anymore. By the time you read this, it might in fact be very wrong to shame people for breaking their phones or using good hygene. Oh well. These tapes were duplicated and imprinted professionally, and packaged in sleeves I printed at home.

Stone Wings OST by Super Famicom

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Released in 2013, this was a pretty fun tape to make. It's a collection of mostly instrumentals to provide background music for my first completed computer game, Stone Wings. The game is playable, but I wouldn't recommend it. However, I think the soundtrack is worth hearing. I used a yamaha 4-track to, for the first time, record my drums with 3 microphones. The guitars and bass were recorded into my computer, through a boss gt-50 pedal. There are also some keyboards and flute things. The tape was dubbed at home, onto some tapes I think I found somewhere. They sound fine. The O-Cards were printed with my Brother lazer jet, in the cheapest (punkest) way possible.

Endless Fervor by Super Famicom

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With the sadness of Punishing the Faithful behind me, I moved back to Saint Augustine and played the most prestigious show of my career, 2012's plan-it-x fest. In my own life, for the first time, I was able to make the money I needed to buy better gear. I was feeling very positive about the world, and my life in it. With my first drum kit in tow, I recorded this tape, meant to save the world with radical punk idealism. Written and recorded in 2012, this tape was released in 2013 on my friend Chris Eugene's tape label, Ghost Friend Records. I don't know if it's still a thing or not.

10 Movements by Diamond Famicom

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Released in 2012, I recorded these songs in my parents' basement in Jacksonville, IL. It's my first solo black metal album. Not all the lyrics are about metal things, like they probably should have been. Instead most were about punk things, and doing the punk thing. I hope it sounds nasty and punk enough for you.

Punishing the Faithful by Super Famicom

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After a while, living on the bottom didn't just make me angry. It made me sad. So Punishing the Faithful is more sad and serious, at odds with the society who I felt rejected me. Was it too much to want a room with a complete floor and an air conditioner? In desperation, I moved back into my parents' house and recorded this album. I used a lot of midi drums, since I wasn't allowed to have real drums at my parents' house. Living in Illinois, I had hopes of reconnecting with my old 'fans' by further exploring my emo roots. So if you like Emo, this is the tape for you.